Tuesday, May 17, 2011

The Sound and the Fury- Blog 5

Because my screenplay is an adaptation of a novel and not an original concept for a television episode, there is considerable overlap between my screenwriting and the actual plot of the novel. This did not necessarily make it an easier task, as it was imperative to capture the tone of Faulkner's work. A great deal of suffering is internalized, especially in Quentin's case, so there is minimal dialogue in certain segments to amplify the subtleties of his actions.

I was profoundly moved by "The Sound and the Fury," and nearly a year after reading it for the first time, its impact has been lasting. Faulkner evokes a strong emotional response with his careful structure, use of stream of consciousness, and memorable characters. From the outset of "June Second, 1910," Quentin Compson is tragic. From his inability to deal with the passing of time to the pride he longs to recover, Quentin's demise is heartbreaking.

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